Sunday, December 1, 2013

Watercolor Classes and Workshops for 2014

Be sure to check out the terrific watercolor classes and workshops planned for 2014 by such teaching greats as Tom Hoffmann, Catherine Gill, Michele Cooper, and Kathy Collins. I've listed quite a few of them on my Classes and Workshops page and provided links to many others. 

Wednesday, November 6, 2013

Garbanzo Bean Pancakes (Gluten Free)

Hypo-allergenic Garbanzo Bean Pancakes
By popular demand, here's my recipe for hypo-allergenic garbanzo bean pancakes. Due to severe food allergies, I don't eat any grains except for rice, and eat no eggs, so traditional pancakes are out. These pancakes are more than just a substitute, though. They taste wonderful and keep my blood sugar stable for hours because they're high in protein.

I mix up a batch of batter on Sunday and keep it in the refrigerator all week, taking out just enough to make a pancake breakfast each morning. The pancakes also work as "bread" for almond-butter sandwiches.

2 cups Bob's Red Mill Garbanzo Flour*
1/4 cup Bob's Red Mill Potato Starch (optional - for a "crumb")
1/4 cup Bob's Red Mill Coconut Flour (optional - for moisture and flavor)
2 rounded tablespoons of sweet potato flour (optional - for moisture and sweetness)
1 to 2 teaspoons cinnamon
6 ounces plain, unflavored goat or cow yogurt (omit for vegan pancakes)
2 cups water
Baking soda -- or if you omit the yogurt, use baking powder instead
Earth Balance Coconut Spread (or other cooking oil)
Dried or fresh blueberries
Non-stick griddle (one that's non-toxic!)

In a large bowl, combine the dry ingredients except for the baking soda, and then mix in the water. If necessary, add a little bit more water to make the mixture "stir-able," but still slightly firm. Stir in the yogurt and store the mixture in the fridge overnight.

To make four pancakes -- two each for Bill and I -- I put about 1 cup of the mixture into a bowl, add a bit of water as needed to make it the consistency of pancake batter, then stir in a couple handfuls of dried blueberries and 1/4 teaspoon baking soda (no baking powder for me because of a corn allergy).

I preheat a non-stick griddle to medium or medium-high heat and cook the pancakes in about 1/2 teaspoon of coconut spread. You can use some other type of cooking oil, if you prefer, but the coconut oil gives nice results and great flavor -- and it's good for you.

*I use Bob's Red Mill products because they're non-GMO. My worst food allergies have developed in the last 10 years, since GMO foods have proliferated, and I suspect they could be the source of some of my issues.

Sunday, September 22, 2013


Or German Shepherds of the Bird World
Or How to Keep Cats out of Your Yard

Keeping cats out of our yard and away from the feathered morsels at the bird feeders [sigh] is a continuing, preoccupation, as our neighbor's two darling kittens have grown up to be lethal bird catchers. After some experimentation (yelling, arm waving, chasing, paper snapping), I've found that consistent watering with the Super Soaker convinces them to skip our backyard in the search for prey. In a new development, our next-door neighbor's sweet little kitten has developed her own unhealthy fascination with the bird feeder. Much as I hate doing it, I bird murders even worse, so treat that kitty to a super soak every time I see her in the backyard. [Update. The kitty, named Kira, has learned to visit me while I'm gardening in the front yard and entirely avoid the back. Who says cats can't be trained?]

Fortunately, I have help. Bertram, Corvina, and Ned turn out to be watchbirds. They caw to let me know when there's a cat in the yard. There is no ignoring the noise, or mistaking it for anything but a demand for cat mitigation measures. At first, the crows cawed at cats hanging out in other yards, too, but gave it up when they learned that their fuss only works for our yard.

Bertram warns the other yardbirds about a predatory cat. 

I thought this warning behavior might be unique to "my" crows, but a couple of weeks ago I watched while a crow cawed angrily at a bus that had collided with a seagull. The crow sat on the wire over the bus stop and cawed at the offending bus as well as every other bus that came during the 15 minutes I was standing there. Crows also take action towards predatory birds during nesting season. When hawks and eagles try to raid a crow's nest, crows flock in from the surrounding areas and gang up on the predators, hassling them until they give up and leave.

Dr. John Marzluff, at the University of Washington, is very interested in how crows share knowledge with one another about "dangerous humans," e.g., humans who have trapped and banded them for research and then released them. From my personal observations, though, it isn't just humans that crows mob, but anything that represents a danger -- a hawk, an eagle, a cat -- or even a bus. Crows are to other birds world like German Shepherds are to people: watchers, warners, and sometimes even attackers
You go, Bertram!

Monday, June 10, 2013

Fun and Exhausting

Saturday's reception at Habitude was so much fun. Thanks to those who came. It was my first experience being the focus of an art event rather than being the hostess or one artist among others, and being a typical introvert, I found it both enjoyable and exhausting. Ten paintings were sold, which I found astounding. I'm so glad they've found good homes!

Here I am with my superhero, Bill, who hung most of the 29 paintings that were displayed.

This is my Personified Pears series.

Wednesday, May 29, 2013

My work will be featured on the June Ballard Artwalk

I was thrilled to receive an invitation from Habitude Salon, Spa, and Gallery to be their featured artist for the June 8 Artwalk in Ballard. Please join me there between 6 and 9 PM for a wine and snacks reception!

Habitude Salon, Spa, and Gallery
2801 NW Market Street,
Seattle, WA 98107

My original watercolor paintings will remain on display there through July 10.

Sunday, April 21, 2013

Planting a Native Australian Shade Garden in Sydney

Bird's Nest Ferns
I'm visiting my daughter, Liz, in Sydney, Australia, where she's rejuvenating the landscaping around her home. Like most gardens in this country, hers is dominated by non-native plants -- in this case English cottage garden plants such as camellias, azaleas, lilies, iris, and daffodils.

This would be fine, except that imported plants have an unfortunate tendency to "escape" from gardens and displace native species in the wild, causing irreparable harm to the delicate ecosystem here. Australia's geographic isolation has allowed its native plants and animals to evolve uniquely, and many species aren't found anywhere else the world. Since European settlement, 61 native plant species have become extinct, and a further 1,239 are threatened. Although many factors contribute to this tragic loss of diversity, the introduction of invasive, non-native plants into the ecosystem is a major one.

With this in mind, Liz has accepted the challenge to replace non-natives in her garden with native plants indigenous to the Sydney area. And a challenge it is. The small part I've taken has made me appreciate why people prefer gardening with familiar plants from their own countries (and may explain why Australia has so many non-natives). There is so much to learn! Australian native plants aren't like anything I've dealt with before. Their appearance is unfamiliar. I don't know their growth habits or their sun/shade/water/nutrient/soil requirements. I can't distinguish a weed from a desirable plant, or a native from a non-native

To meet the challenge, Liz has adopted a phased strategy, planning to take on just one section of the landscaping at a time, clearing it and figuring out which plants will work best in that particular spot. This should make the learning curve a bit less steep. Fortunately, most of the non-native plants in her yard are fairly well behaved and not known to be "escapees," and the problem plants can be controlled by removing their flowers and seed pods until such time as the plants themselves can be removed.

During my visit, I've assisted with Phase I: rehabilitating the garden across the driveway from the patio -- the most visible one. The whole garden is shaded all winter, and the front of it's sunny in summer.

Phase I: This garden hosts several invasive species, including Fishbone ferns, which are native to another part of Australia, but invasive here, where they choke out other plants.  The fence in back is covered with Chinese wisteria that Liz will remove in the  future and replace with native Kangaroo vine. Just as we experience in Seattle, the wisteria wants to take over the world, and will climb trees and strangle them if not constantly cut back. 
Liz clears the ground, digging out roots and tubers. Fishbone ferns seen on the far left of this photo are in a Phase II section of the garden and will be removed later.
We acquired these natives in an expedition to two native plant nurseries. Liz selected plants with a mixture of growth habits, adult heights, and foliage. Small plants are less expensive and easier to plant than larger ones. See below for her plant list.
Here's a close-up of several ferns, which should do well in this shade garden.
The planting begins.

Everything's now in the ground, including some stones for a path to the birdbath. As the plants mature, they will overtake the empty spaces and create a full, lush effect.
Here's a different viewpoint. Liz has started to apply a thick layer of mulch to retain moisture and help give the plants a good start.
And here's the next section waiting for rehabilitation.
Liz's list of shade-loving (or tolerant) Australian native plants and their habitat value:

Indigofera australis - native indigo, shrub, 1.5 m tall.  Produces small pink flowers which attract native bees and butterfly larvae, seeds attract birds.
Dianella caerulea – flax lily/paroo lily, perennial herb, 1 m tall. Purple berries attract birds and butterflies.
Alpinia caerulea - native ginger (and Atherton ginger*), perennial herb, 1.5-3 m tall. White flowers and blue fruit attract birds.
Lomandra fluviatilis - no common name, NSW ENDEMIC, 50 cm tall, tufted perennial herb. Attracts seed-eating birds and provides shelter for small birds and lizards.
Cissus antarctica - kangaroo vine/water vine, climbing vine. Provides nesting sites for birds. Purple fruit attracts birds, moths and ringtail possums.
Macrozamia communis - burrawang cycad, NSW ENDEMIC, 3 m wide, 1-2 m tall. Large seeds attract marsupials, large birds and fruit bats. However, they are extremely toxic to humans and non-native animals/livestock and can cause death.
Cordyline stricta – slender palm lily/narrow leaved palm lily, shrub, 2-3 m tall.  Attracts butterfly larvae.
Blechnum patersonii - strap water fern. Provides shelter to small birds and lizards.
Microsorum diversifolia - kangaroo fern. Provides shelter to small birds and lizards.
Doodia aspera - rasp fern. Provides shelter to small birds and lizards.
Asplenum australasicum - birds nest fern. 
Adiantum spp. – maidenhair fern (already in the garden).
And then of course the sun-loving Banksia integrifolia – coast banksia, tree, 25 m, to create more shade for the shade-loving plants.  Large flowers attract nectar-feeding birds and seeds attract small mammals.

*The Atherton ginger was the only plant we brought home that is not indigenous to the Sydney area. This ginger comes from Queensland, but we fell in love with the red underside of the leaves.

For more information on Australia's native plants, see: 

Monday, April 15, 2013

How to Start a Watercolor Meetup Group

Two years ago this month I started a meetup group on for watercolor painters in Seattle. Since then it's blossomed into a cohesive community with 94 members and a history of 167 meetups. We get together once per week to paint indoors and once per week to paint outdoors, in addition to various individual meetups to attend art shows and exhibits. Close friendships have formed within a supportive atmosphere, and everyone has learned a lot of new things about art.

The other day Barbara emailed me, asking for suggestions on how to set up her own watercolor meetup group in Everett. After responding with a lengthy missive, I decided to post my reply here as well. Usually when someone asks me a question, others are also interested in the answer.

Here’s what I told her:

1. Set up your site. First you need to set up a meetup site on The cost is $12 per month, and that price gives you everything you need to start and run your group. There’s no charge for participants to join Meetup. I suggest naming your group "[Your location] [your medium] Meetup Group," so people know what and where it is. For example, I named mine “Seattle Watercolor Meetup Group.”

You can associate keywords with your site that allow members to find it. For example, my site has keywords such as painting, watercolor, art, and plein air. Individuals who have already joined and listed one of your keywords as an interest will be notified about your site. In addition, anyone searching the internet for such a group will be able to find it, even if they haven’t already joined meetup.

To see how my site’s set up, go to

2. Decide whether to charge members for a meetup. You have the option to charge members for attending your meetups. I decided not to do this, even to recoup the cost of the site, because I didn't want to get in cross-ways with the community center where we meet each Friday. They give us space in return for a $2-3 drop-in fee per person because we’re considered non-profit, as I don't charge anything for the meetup. You'll figure out how to handle that issue in a way that works best for you.

Here's a photo of the Friday meetup, held in a wonderful space at the Loyal Heights Community Center in Seattle. This photo was taken a year ago. Now, we need two rows of tables to accommodate all of the attendees.
3. Choose a focus for the group. I decided to have our meetup group focus on watercolor painting for two reasons: (1) I'm a watercolor painter, and (2) watercolor is non-toxic and appropriate for doing indoors in a public space, such as the community center. During the cold, rainy Seattle winter, it’s pretty difficult to paint outdoors, and I wanted this group to meet at least once per week all year round. For our outdoor meetups, members are free to paint in any medium, although, interestingly, even the oil painters in the group opt for watercolor.

4. Set goals and the overall tone of the group. From the beginning, I wanted this to be a highly participatory group, rather than have everything rely on me. I scheduled the first meetup at a coffee shop, to discuss what members wanted to get out of the group. In that meetup we decided on a day and time to meet each week, based on the availability of a suitable room at the community center. We also discussed our collective "vision" for the group, determining that it was to develop a supportive and collaborative community of artists.

Our first meetup was held at Tully's Coffee, to discuss what we wanted the group to be like.
From that first meetup I emphasized that members should expect to get out of the group no more than what they put into it, and that each person is responsible for their own rewarding experience. I believe this set a positive and constructive tone that has been fundamental to the success of our group.

5. Increase membership. There were four artists at the first meetup. Of the original group, only one has dropped out, and over two years we've steadily added members. Today we have about 94, with 12-16 in attendance on any Friday. Our "paint around Seattle" group gets 4-8 weekly depending on the weather. This second weekly meetup spontaneously started after the first one had been running for a full year.

Our first "Paint Around Seattle" meetup, held last April in the Woodland Park Rose Garden.
We get a different mix of people each week, but active members come at least once or twice per month, so there's a lot of continuity, and some deep friendships have formed. Being an artist is a lonely occupation, and our group has brought many professional artists in addition to absolute beginners and everything in between. I believe the key to this success is the participatory nature of our group and emphasis on being supportive and positive. Attendees frequently comment about how warm, welcoming, and fun this group is.

6. Encourage participation. I encourage members to propose and host additional meetups and have named four co-organizers. If someone is interested, I coach them on how to set up a meetup (basically, you need a place to meet and need to greet people and make them feel welcome). Additional meetups can be scheduled in a series or be held just once for something like attending  an artwalk, show, or exhibit.

The work of member artists are included in shows all around Seattle, which we often attend in informal groups. I wasn't able to attend the opening of Nelda Hanson's show here at the Sunlight Cafe, but I met up with Beth later to view it.
One member, Eileen, has taken over the Thursday "paint around Seattle" group and figures out the place to paint each week, updates the meetup site, and exchanges cell phone numbers with people who plan to attend, in case anyone gets lost. Another member is hosting a non-publicized meetup at her studio twice per month in the evening for members who work. It isn't publicized for reasons of safety. She invites specific members offline.

I want to make this group as self-sustaining as possible, to succeed with or without me, but have come to realize that completely replacing myself as group leader requires at least one willing party and a lot of coaching -- and willing parties are rare. My current strategy is to hand off as much responsibility as willing members will take on, hoping that if and when I can no longer lead the group, there will be a few folks around with enough experience to keep the thing going.

7. Tips for conducting your meetups. Regarding conducting meetup sessions, it's vital to have a person "on point" for each one. For our group, this person (the host, me, or someone I nominate) makes sure that the still life and tables are set up for indoor meetups, greets each person as they arrive, and introduces newcomers to the others. This person sets the tone for the meetup, which is friendly, non-critical, and supportive. Ideally, this person will also have some ideas in mind to discuss about watercolor painting. This is especially important when the group is getting off the ground to help break the ice, but it's great any time. I used to provide a 30-minute seminar at the beginning of each meetup on watercolor basics. Sometimes I'd demonstrate a particular technique or else bring in a book to discuss. I encourage other members to volunteer for this, and when they do, it's a great addition.

The purpose of the group is to exchange ideas and develop a supportive art community, and getting to know one-another personally is key to these goals. It's helpful to have some off-topic topics in mind for this purpose. While people are sitting around painting, if the silence becomes deafening, it can be nice to discuss a good movie you've just seen, an exhibit, a book, and so forth. Most often, though, our conversation naturally settles on some aspect of art.

Initially I brought tea and cookies, but that was too much overhead, so abandoned that idea after a while. It's nice to do, but anything can get tedious if it becomes an obligation week in and week out. I have, however, set up a still life each Friday for almost the entire two years we've been meeting indoors. This, believe me, gets old, but at the same time, it's important to do. For one thing, painting from life is different than painting from photos. In addition, it helps generate discussion as people walk around and look at each others artistic "take" on the same subject. After a lot of prodding some members have started bringing in still life ingredients so I don't have to do it all, and occasionally a member will handle the whole thing, such as in the rare event that I'm not there (like at the moment, when I'm in Australia visiting my daughter).

"Nell's Breakfast" still life setup.

It’s a good idea to bring a camera and take snapshots of people painting as well as their work (if they're OK with that) to upload to the site. I also encourage people to upload their own photos of what they painted. People are shy about doing this, but less so when I tell them it's for the benefit of the rest of the group, which is true because the photos generate comradeship and chat.

In sum...
We all encourage and inspire one other in the Seattle Watercolor Meetup Group. The tone of our group is absolutely positive at all times. We've never had any disagreeableness, except one time when a new member came solely for the purpose of selling her art and dominated the session with her non-stop self-promotion. Members were polite, although quite irritated. Thinking it over afterwards, I decided that should something like that happen again, I would step in let the person know they were out of bounds. The woman didn't get the response she wanted and never came back, fortunately.

Members have told me over and over again how important this group has become in their life, which makes the effort that I put in feel worthwhile. I hope you’ll decide to create a similar group in your own area. If you do please let me know. Also, feel free to ping me with any questions.

Christina Scott painted this during a meetup at Greenlake.
You might also enjoy:
Art Studio On Wheels - How I set up my art studio in a small space.
Setting up an Outdoor Easel - I demonstrate how I converted my camera tripod into a watercolor easel.
How to Frame a Watercolor Painting - It can be a bit tricky your first time. Here's how I do it.