Thursday, January 19, 2012

Gate C

A story - Sometimes patience pays off, and sometimes it doesn't.

When I got there, the Gate C exit area was deserted. Good. It would be easier to detect the beginning of the next wave of arrivals and start the process of judging where they’d come from.  A small group appeared from the gate area and proceeded through the large exit door. I examined them closely, looking for clues to their place of origin, but they could have come from anywhere, wearing or carrying jackets and coats appropriate for the Seattle winter, and having nondescript skin tones, with no evidence of recent sun exposure. The first group was followed by a succession of others just like them.

My attention began wandering, and without its discipline, my thoughts tumbled recklessly: “She’s almost here! I’ve missed her so much. She’s living her destiny that I somehow always expected. My intuition knew she’d live on a far away continent, and soon I’m going to see her again after more than a year.”

Teary eyes would not do for a greeting. I forced my attention back to watching the exit.

A man standing nearby shook his head and walked over to the escalator leading down to Baggage Claim. I fished out my cell phone and checked the time. It was a long walk from the gate to the exit, and barely 10 minutes had passed since the plane’s arrival. Even so, I felt compelled to ask the guard standing nearby if there was another way out from Gate C. No, he said. No other way.

I returned to my station and looked around the terminal, composing mental pictures of it to keep my mind occupied until the next wave of arrivals. A man and a woman walked over from the ticketing area and stood a few feet to my right. 

I lifted my left foot a couple of inches from the floor and rotated it, then shifted to my right foot and did the same.

Another group began trickling through the exit. A bright floral-print shirt caught my attention. Next came a face with a leathery tan followed by a Hawaiian shirt, and finally the clincher, a silver jacket and matching silver flip-flops. The plane from LA.

My heart beat faster, and I took a deep breath to slow it back down. Eyes started to water again, so I focused intently on faces. Time passed. A tall man towered over the crowd. Was that an Acubra on his head? No, it wasn't her partner, Jim. Back to faces. Their numbers dwindled. How curious. Under the weight of a sinking heart, my feet stopped shifting and felt rooted to the floor.

The couple to my right put their heads together in discussion. “What plane are you waiting for?” I asked.

“The plane from LA,” the woman replied. “I’m going down to baggage and see if we missed them.” She disappeared down the elevator. After a few minutes she was back. “They’re all down in baggage.”

Forgetting to thank her or even look back, I dashed to the escalator.


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Saturday, December 17, 2011

Sketching on Location

Sketching on location -- making quick studies of a subject -- is a great way to develop and practice skills as well as record ideas for more complete painting or drawing. It's also a way to record the light and shadow patterns in a scene before the rapidly moving light source (sun) changes them, or make note of a particular color that a camera may not quite capture. For these reasons, many artists won't leave home without their sketchbooks.

Here are a examples of the different ways I've used such sketches in my art process.

Value sketches are usually monochromatic. Their purpose is to help you decide on the relative values of the different objects in the composition. You can check your overall composition at the same time. In this value study, I decided that the horizon needed to be lower (as I noted with an arrow).

I lowered the horizon in this second sketch to see if I liked it better. I also adjusted some of the values.

In this example I tried three different compositions.

Here I tested ideas for a birthday card I wanted to paint for a friend. I liked the drawings on the bottom the best, so I added color, and then finally decided to use the stair concept for the card.

This was a value study for my three Japanese Teahouse watercolors.

In this sketch, I recorded the interesting edges of the plant.

This ultra-quick sketch captures the motion of the kangaroos.

And again.

This sketch focuses on the back-and-forth movement of the elephant's trunk and the twitching of his ears and tail.

Here I was trying to decide if this view of my living room would make a good composition.

Here's a painted sketch of the shadow shapes in a scene. I wanted to be sure to include these shadows in the final painting. The light and shadow in a scene can create framework that's an important part of the composition.

Here's another painted sketch of shadows only.
Sketching doesn't have to be for a particular purpose, though. Sometimes I like to get together with other artists and sketch for fun. There are many opportunities to sketch in more organized ways. For example, Michele Cooper, who keeps a wonderful sketchbook, participates in the Sketchbook Project

Sketchbooks on display for the Sketchbook Project. 
Several other artist friends take part in Urban Sketchers, which is a group that gets together to sketch in various locations. Also, Catherine Gill hosts a weekly group called Art on Tap, where artists meet at a local pub three Monday evenings a month to sketch. Maybe I'll see you there!


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Sunday, November 20, 2011

Holiday Gifts for Kids in Need

Dear Friends,

I have a personal holiday tradition of buying new clothing for local teens in need. When Bill and I lived in Kirkland, we donated the items to Hopelink, which has offices on the east side of Lake Washington. Last year we moved to Seattle, so we're now supporting an organization hereTreehouse for Kids, that collects gifts (clothing, toys, etc.) for foster kids of all ages. I'll be taking donations to their collection site on Friday morning, December 16. The last day to donate for the holiday drive is Saturday, December 17.


If you want to join me in this endeavor, here's a wish list of items you could buy: Wish List

Or, if you'd rather donate money, you can do so online. Just click the "Donate Now" button on this page: http://www.treehousef...

If you live near Ballard and want me to deliver your donations along with ours, comment on this post or send me a message. If you're not here in Seattle, I hope you'll support a similar organization in your own community and help kids in need during the holidays.

Thanks and Happy Holidays!
Megan



Friday, November 11, 2011

Bad BAD BAD Kitty

My neighbors got two adorable kittens this summer which have since turned into cats. I'm becoming very familiar with these animals because their favorite place is our yard, where they stalk the little feathered creatures who come here to eat and drink.

This is a dilemma. I love animals, but I don't love cats eating my little friends. So on seeing one getting ready to do this, I rush into the yard hissing, arms flapping, yelling "go away you stupid cat," and all sorts of other things that probably chip away at my local reputation.

The typical scenario goes something like this.

1. I look out the window and see this flat cat shape in the bottom of the rain garden (the best stalking spot when it isn't raining).


2. I burst out the front door, pretending to be a very VERY dangerous person.

3. The cat calmly gazes up at me.

4. My voice gets louder and louder. My arms flap harder and harder. This finally inspires the cat to move.

5. The cat begins walking towards me purring loudly. I don't think it's getting the idea.


6. The cat begins rubbing against my legs.

7. I pat it.

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Tuesday, October 4, 2011

Clintavo's Position on Marketing Art via Facebook and Twitter

by Clint Watson

please remember, if the world loses a single work of art you could have produced because you got sucked into playing Farmville, well, that would be, quite frankly, tragic. [...]

Read the rest of this article at:
http://fineartviews.com/blog/35038/clintavos-position-on-marketing-art-via-facebook-and-twitter

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This excerpt appears courtesy of FineArtViews Art Marketing Newsletter by FASO,
a free email newsletter about art, marketing, inspiration and fine living for artists,
collectors and galleries (and anyone else who loves art).



For a complimentary subscription, visit: http://www.fineartviews.com

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Tuesday, September 27, 2011

Art Studio Party and Kathy Collins Talk

Boy, it's been a busy few weeks, and I've gotten out of touch with my blog. Vacations, house guests, parties, talks, and so on... But I have a minute for a quick post so you won't think I've gone away for good.

Sunday was our 49th Street Studio annual party. It was my first, and I had no idea what to expect. What happened was lots of food, art, and about 200 guests. What a blast! I got 10 of my paintings framed up and another five matted to show. It was the first time I've framed anything, and it was a bit of a learning experience. I'm happy with how things turned out, though. Here's a photo of my stuff:

Some of the paintings I showed at the studio party

For more about the party, see my post on the 49th Street Studio blog.

Today was Kathy Collins' talk, and it also was a great success. She generously shared her knowledge and experience about the business of art with 14 of us. There was so much information to digest and we all had lots of questions, too much to recap right now (dinner's on the stove).

Kathy Collins giving a talk on the business of art.
Kathy is easy to admire, being such a wonderful artist and a fine human being to boot!


Thanks, Kathy!